500 Words From…is a series of guest posts from authors, in which they talk about their newly-published books.  Here Duncan Jepson explains the background behindEmperors Once More, which is published today.  The novel is the first in a Hong Kong-based crime trilogy featuring Detective Alex Soong.
Duncan Jepson lives in Hong Kong. His first novel was  All The Flowers In Shanghai.  A founder and former managing editor of theAsia Literary Review, he writes regularly for the New York TimesPublishing Perspectives and the South China Morning Post.
Emperors Once More is set in the near future. It’s Hong Kong, 2017. China has bailed out the West, but the West has defaulted on its debt. On the eve of a crisis summit for world economic leaders, two Chinese Methodist ministers are killed in an apparently motiveless execution in Hong Kong’s financial district.
It appears that luck alone makes Detective Alex Soong one of the first officers at the scene.  But is his involvement more than incidental? Is the crime itself more than a senseless assassination? It seems so: Soong is contacted by a mysterious figure, and more massacres follow.
With the eyes of the world’s media fixed on Hong Kong, Soong must race to intercept his tormentor, and thwart a conspiracy born from one of the bloodiest confrontations of China’s past, which now threatens destruction in the present.
So: 500 words from Duncan Jepson…
It is known as the century of humiliation, a term that arose in China in the early 1900s to describe a number of events that started with the First Opium War in 1839 and was thought to have ended with the Communist Revolution in 1949. Those years included painful suffering at the hands of imperial powers and unequal treaties signed requiring China to pay what would now be billions of Renminbi. But it also involved some self-inflicted injuries such as the Taiping Rebellion and a general failure to modernise as needed to defend against foreign powers.
Yet, it had not ended, following a few productive years, China fell headlong into another twenty years of madness through the 100 Flowers Campaign, the Great Leap Forward and the Cultural Revolution. In the 1970s, Chinese people emerged from isolation to find that after 5000 years of civilisation, the last one hundred plus years had left them decades behind people in the West, who barely claim half the history. It seemed an unbelievable situation and the reaction was what some psychologists call the superiority inferiority complex – bitterness at a lost rightful place in the world but also doubt in the belief that perhaps it was deserved at all. For several generations there was a feeling of inferiority, a terribly heavy burden, to some it became a belief and way of life.
Emperors Once More is a story about an angry and bitter person from the generation which feels it has been betrayed by history and a young man from the new generation of modern global Chinese who are as comfortable in Europe or the US as they are in China. I wanted these generations to clash in an open forum but I also wanted to create a story that was entertaining and that pushed me as a writer. One particular story point was the demand by the older generation to return to better days regardless of the high cost and confused reasoning.
Longing for the familiar and fear and resistance to change can push people to try to stem whatever is next and spend vast resources on avoiding confronting the inevitable. Most wasteful is expense on war and revolution just to force a return to the past. Chinese history and culture is full of examples of attempts to maintain the past and a belief in the unquestioned respect for that which once was. To be declared a great classical artist was to have copied perfectly the masters before, to honour one’s parents was to follow their instruction, perhaps even forgo one’s own life for them, and at work one would be commanded without question. So much of the future given up, but not in humble deference to wisdom, often only in blind eagerness to nothing more than age.
The main character is hurt deeply by his own and his parents’ past and he transfers all his anger to reinstating the values and beliefs of something largely best left to fade into history. But he cannot, and instead must recreate it from jagged pieces of confused understanding and mistaken belief. Only a person who wants even more a new and unfamiliar future to succeed can defeat him and the two figures repeatedly clash as the story develops, each teasing the other that they are delusional and set to fail.

 

Another important element was to try to write a story with a faster pace than my first novel, and to meet the conventions of a crime novel. The level of difficulty was much more demanding and complex than I had imagined. A crime novel must meet the reader at pace and then maintain that momentum. I can only hope that I have succeeded in some way and that there is interest in a sequel as there are other relationships that I would like to explore in this narrative structure which might not be so successful shaped into another form.
Emperors Once More is published by Quercus. The hardback should be widely available in Asia, priced in local currencies, and the eBook  can be purchased from on-line bookstores, or else here direct from Quercus.

Emperors Once More is eligible for the ABB Book of the Lunar Year inthe Year of the Horse – see the post of Jan 30, 2014 for details. If you want to vote for it, please do so by posting a comment, or by e-mailing asianbooksblog@gmail.com.
http://www.asianbooksblog.com/2014/03/500-words-from-duncan-jepson.html